1) What was the most challenging project you have ever worked on and why?
2) How do you increase the efficiency with which you work on Foley for a challenging project?
3) How did you get your position with the company with which you currently work?
4) Do you, in your everyday life, hear a sound and think of potential ways to use it in your work?
5) Is there any particular sound director that you have worked with who you think excelled at their job? Why or why not?
6) Is there any sound recording software that you prefer over any other?
7) Have you ever felt a need to change the way that you work in a major way, and if so, how?
8) Do you prefer using a "black box" type database, or would you rather create every sound on your own?
9) How often do you have to update the technology that you use in your industry?
10) On how many projects have you worked directly with the director, and have they been positive experiences? Why or why not?
11) When you first arrived at the company you worked with first, what type of project did you work on?
12) Would you recommend a new entry into the field to take classes on new programs in order to learn them all at once?
13) When working on different genres of film, for example, horror vs. family, how do you adapt to the different types of sound these projects demand?
14) Do you prefer working on television projects or movies? Why?
15) How can you best recognize a sound that you can use as an effect that you have never experienced firsthand?
16) What trait is most important in staying in the field for long periods of time?
17) How long after you begin recording sound do you typically begin cutting it into a final product?
18) Is there any specific scene in any movie that stands out as the most challenging you have ever recorded?
19) How can a Foley artist best stay ahead of the rapidly evolving technology in the film industry?
20) What connections have you forged with others in your field that you think have contributed to your longevity in Foley?
No comments:
Post a Comment